🎬 Шедевр итальянского кино: «Луна» (1979)
Set primarily in Italy, La Luna follows Caterina Silveri (played by an electrifying Jill Clayburgh), an American opera singer who moves to Rome with her teenage son, Joe (Matthew Barry), following the sudden death of her husband.
This article explores the artistic depth, controversy, and enduring allure of this 1979 gem. What is La Luna (1979) About?
Bernardo Bertolucci, the visionary Italian director known for provocative works like Last Tango in Paris and The Dreamers , created one of his most visually opulent yet psychologically unsettling masterpieces with La Luna (1979). While it was a film that stirred significant controversy upon release—primarily due to its exploration of an incestuous relationship between a mother and her son—it remains a deeply profound character study of familial dysfunction, narcissism, and obsession, often found circulating on streaming platforms like OK.RU . la luna 1979 movie ok.ru
: The film follows an American opera singer (Jill Clayburgh) who moves to Italy with her teenage son after her husband’s death. There, she discovers his heroin addiction and enters into a disturbing, incestuous relationship with him as a misguided attempt at "healing". Visual Brilliance : Critics universally praise the cinematography by Vittorio Storaro
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После успеха «Последнего императора» и «Последнего танго в Париже», Бертолуччи снял эту интимную историю. There, she discovers his heroin addiction and enters
The narrative follows Caterina’s desperate and increasingly unstable attempts to lure her son away from his addiction. These attempts spiral from maternal concern into dangerous and transgressive territory. In one famously uncomfortable scene, as Joe suffers from severe withdrawal, his mother gives him a handjob to momentarily calm his drug cravings. Eventually, she decides the only way to save her son is to find his biological father, hoping a paternal connection will fill the void. However, their journey is fraught with sexual tension and emotional instability. After locating Giuseppe (Tomás Milián), Joe concocts a story about a fictional mutual friend who died of an overdose because his father abandoned him. This lie gives Joe a sense of closure. The film ends at an open-air opera where, having found some form of peace with his mother and his newly discovered father, Joe listens to Caterina sing.
Bernardo Bertolucci, the visionary Italian director known for The Last Tango in Paris and The Last Emperor , delivered one of his most visually opulent yet controversial films in 1979: (released in the US as Luna ). A deep, often surreal dive into the subconscious, psychoanalysis, and opera-level drama, La Luna is a film that demands to be seen. While long difficult to track down, film enthusiasts often seek out this masterpiece on niche streaming platforms, including ok.ru , which sometimes hosts restored or classic cinema not found on major platforms.
The film centers on Caterina (Clayburgh), who, overwhelmed by the sudden death of her husband, Douglas (played by Fred Gwynne), takes her son, Joe, to Italy for a long concert tour. while Krabbé’s measured
Here is an academic-style essay on La Luna .
Stylistically, La Luna blends Bertolucci’s signature lyrical cinematography with surreal, dreamlike sequences, and a haunting score that amplifies the film’s psychological intensity. Themes include mourning and emotional dependence, the corrosive effects of fame and ego, and the ambiguity of sexual and familial roles. Performances are notable for their emotional rawness: Sellers offers a startling dramatic turn far removed from his comedic persona, while Krabbé’s measured, simmering portrayal anchors the film’s moral tensions.